KAORU KODAMA & RUMEN RACHEV | From the exhibition description of Catastrophe and the Power of Art, currently on show at the Mori Art Museum in Tokyo until 20 January 2019, the text stipulates: Catastrophe and crisis can drive us to despair, yet it is also true that the energy released as we try to recover can simultaneously spark imagination, and boost creative output…
DAMP OCEAN | a contemporary art space in Te Whanganui-a-Tara: is it? should it? could it? would it? The exchange show between Taipei Contemporary Art Center (TCAC) and Enjoy Public Art Gallery comes in two parts. A survey opening up the space to the voice of the New Zealand viewer, reworking the questions that stimulated the founding of TCAC here to gauge the voices that are, should, could, would in an unfamiliar space…
JESS HONG | Tu-Bryant is a musician, actor, writer, visual artist, puppeteer and director who identifies as a storyteller of Taiwanese and New Zealand European descent. She had just driven back to Wellington with a car full of set pieces, having rehearsed for several weeks in Auckland for her upcoming devised show Tide Waits for No Man: Episode Grace…
NINA POWLES | The blue wave towers over me, rising up to the ceiling where it hangs suspended from domed glass. I imagine the wave rising higher and higher until it shatters the glass and flows out across the city in a blue current. This is Kiko Moana, a large-scale piece woven together from tarpaulin by Mata Aho…