AMY WENG | John Young Zerunge is an Australian-Chinese artist and one of the co-founders and founding president of 4A Centre for Contemporary Asian Art in Sydney. An initiative formed by the Asian Australian Artists’ Association in 1996, 4A has become a leading art institution in Australia, encouraging dialogue on Asian and Australian cultural relations, and…
Asian New Zealand Art & Culture
From Art
Asian New Zealand contemporary art and visual culture
Te Tiriti o Waitangi – an unmet challenge
AMY WENG | In trying to trace a collective history, I’ve come to the realisation that ours is a lot more incidental- filled with stops and starts- a non-linear digression through over a century and a half of co-habitation, but not necessarily of occupation. Where Asian New Zealanders have a stake in the political and public…
A porous home of flowing family members you are yet to meet, a shelter from the alienation outside
XIN CHENG | After a delayed flight and a long queue at the customs, I barely caught the last train, arriving at Yume Nomad some time after midnight. Opening the door was Hiro, ‘You must be Xin! Welcome!’ and gave me a big hug like an old friend. Then there was Mayumi, ‘the boss’ – as Hiro jokingly…
In conversation with Vera Mey
AMY WENG | Vera Mey is an independent curator. The following is a except of a conversation between Mey and HAINAMANA editor Amy Weng. Here, they talk umbrella identities and redefining a position of alterity…
The Asia-Pacific Century: In conversation with Emma Ng & Ioana Gordon-Smith
EMMA NG & IOANA GORDON-SMITH | ‘The Asia-Pacific Century: Part One’ is an open research space that will be at Enjoy Public Art Gallery from August 6- August 20, 2016. Ahead of its opening, co-curators Emma Ng and Ioana Gordon-Smith sat down to share with us their thinking on the project…
I AM…
XIN CHENG | Early 2015, I performed for MAU/Lemi Ponifasio’s I AM at Aotea Centre as part of the Auckland Arts Festival. It was an intense and transformative experience. For a start, I was grateful for having been included as a volunteer, despite being an amateur to the world of performance (I had only started getting my toes wet…
Notes towards a third space: On a prevailing easterly wind
AMY WENG | In 1992, on the corner of Wellesley and Kitchener Street, on the southern facade of what was then the Old Art Gallery, a lighted window containing an ink painted backdrop and elongated rosary was installed. Four calligraphic characters were painted on its face, and this window changed- illuminating and dimming according to the hour of the day…